![]() Thus, for earlier repertoire, a line marked 'tenor' indicated the part's role, and not the required voice type indeed, even as late as the eighteenth century, partbooks labelled 'tenor' might contain parts for a range of voice types. It was also in the 18th century that "tenor" came to signify the male voice that sang such parts. Until the late 16th-century introduction of the contratenor singers, the tenor was usually the highest voice, assuming the role of providing a foundation. Īll other voices were normally calculated in relation to the tenor, which often proceeded in longer note values and carried a borrowed Cantus firmus melody. In polyphony between about 12, the structurally fundamental (or 'holding') voice, vocal or instrumental by the 15th century it came to signify the male voice that sang such parts. As noted in the "Tenor" article at Grove Music Online: The name "tenor" derives from the Latin word tenere, which means "to hold". Please see the talk page for more information. This section appears to contradict itself on the point in time, century the 15th (Grove) versus 18th (unreferenced), that tenor "came to signify the male voice that sang" the holding voice. ![]()
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